Modena, Biblioteca Estense Universitaria, α.R.4.4
[Part 2]
General information
| Folios | 2 |
| Language | Language object (48) |
| Approx. date | c. 1350 |
| Date notes | Avalle - Casamassima 1979-1982, 21; Spetia 1997, 47-48; Zinelli 2010, 82 n. 1 indicate 14th c. However, the copy of the two letters immediately follows the integration of Part1 with Part3 according to Spetia 1997, 54: in that case, the date of Part3 should be its terminus post quem. |
| Place(s) of production | VenetoSpetia 1997, 47-48. |
| First words of second recto folio | |
| First words of last recto folio | |
| Incipit | [f. 211rb] [.]v noble roi melyadus . / Que tant puet (et) tant uault q(ue) nus . |
| Explicit | [f. 212va] Saluz uos mant saluz uos uiegne . / Ce que uos volez uos auiegne |
Related MS
| RelationshipType object (12) | Manuscript object (128) |
Material
| Material: | Material object (4) |
| Watermark: | |
| Condition: | |
Structure
| Collation: | |
| Quire structure: | Part2 was copied on the two final folios of the 28th quire of Part1. |
| Quire marks: | MSQuiremarkDisposition object (18) |
| Catchwords: | |
| Catchword disposition: | MSCatchwordDisposition object (12) |
Physical description
| General illustration: | |
| General decoration: | Not decorated. Guiding letters still visible on the left margin of the column, at the beginning of each text. |
| Evidence of readership: | |
| Foliations description: | |
Mise en page
| Description 1 | |
| Page sampled | 212r |
| Layout | MSLayout object (4) |
| Page dimensions | 340x240 (mm) |
| Justification | 240x160 (mm) |
| Columns | 210mm between columns Column ruling present in Colours object (4) (RulingMaterials object (3) ) |
| Lines | 43Line ruling present in Colours object (4) (RulingMaterials object (3) ) |
| Rubrication | Not rubricated. |
| Writing above top line? | False |
| Sample page layout: | |
Hand(s)
| Level of Execution: | Execution object (4) |
| Script | Script object (1) |
| Folio range | From 211rb to 212va |
| Date | c. 1350 |
| Scribe description: | |
| Notes | Two hands from the same atelier, according Zinelli 2010, 82 n. 1 |